[4]
一顆明珠
Ikka-no-myoju
One Bright Pearl
All beings, things, and even our doubts are the one bright pearl
Source: authorised translation
Master Dogen’s Shobogenzo, Book 1 (Windbell Publications) —
© 1994 by Gudo Nishijima and Chodo Cross. All rights reserved.
© 1994 by Gudo Nishijima and Chodo Cross. All rights reserved.
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For Dogen, everything that exists is one bright pearl, ourselves included.101107 The pearl is the whole of reality, not a separate treasure to acquire. The teacher Gensa encounters this reality when he strikes his toe on a stone. In pain, he questions the claim that his body is unreal. He cannot be satisfied with second-hand explanations; he must experience things for himself.
Gensa later tests a monk's understanding by asking him about the pearl. The monk answers with Gensa's own words, but Gensa challenges the reply. Repeating a teacher's words is not the same as understanding for oneself.103 This does not make thinking useless: in Buddhist practice, noticing what is actually happening and thinking about the teaching both matter.
Our doubts and worries are also the bright pearl,105.2107 not evidence that we have been excluded from it. It has the forms we see and the sounds we hear. Its changing appearance does not turn it into something else. Yet we cannot make the whole of reality fit our own limited understanding. No act or thought has any cause apart from this bright pearl—the whole of reality that includes us.
Ikka means “one,” myo means “bright” or “clear,” and ju means “pearl.” So ikka no myoju means one bright pearl. This chapter is a commentary on Master Gensa Shibi’s words that the whole Universe in all directions is as splendid as a bright pearl. Master Dogen loved these words, so he wrote about them in this chapter.
[97] In [this] sāhā-world,1 in the great Kingdom of Sung, in Fuchou province, at Gensa-zan temple, [there lived] the Great Master Shu-itsu, whose Dharma-name [as a monk] was Shibi and whose secular surname was Sha.2 While still a layman he loved fishing, and he would float down the Nantai river on his boat, following the other fishermen. It may have been that he was not waiting even for the fish with golden scales that lands itself without being fished.3 At the beginning of the Kantsu4 era of the Tang Dynasty, suddenly he desires to leave secular society; he leaves his boat and enters the mountains. He is already thirty years old, [but] he has realized the precariousness of the floating world and has recognized the nobility of the Buddha’s way. At last he climbs Seppo-zan mountain, enters the order of Great Master Shinkaku,5 and pursues the truth6 day and night. One day, in order to explore widely the surrounding districts, he leaves the mountain, carrying a [traveling] bag. But as he does so, he stubs his toe on a stone. Bleeding and in great pain, [Master Gensa] all at once seriously reflects as follows: “[They say] this body is not real existence. Where does the pain come from?” He thereupon returns to Seppo. Seppo asks him, “What is it, Bi of the dhūta?”7 Gensa says, “In the end I just cannot be deceived by others.”8
[99] Seppo, loving these words very much, says, “Is there anyone who does not have these words [inside them]? [But] is there anyone who can speak these words?” Seppo asks further, “Bi of the dhūta, why do you not go exploring?”9 The Master [Gensa] says, “Bodhidharma did not come to the Eastern Lands; the Second Patriarch did not go to the Western Heavens.”10 Seppo praised this very much. In his usual life as a fisherman [Master Gensa] had never seen sutras and texts even in a dream. Nevertheless, profundity of will being foremost, his outstanding resolve made itself apparent. Seppo himself considered [Gensa] to be outstanding among the saṅgha; he praised [Gensa] as the pre-eminent member of the order. [Gensa] used vegetable cloth for his one robe, which he never replaced, but patched hundreds of times. Next to his skin he wore clothes of paper, or wore moxa.11 Apart from serving in Seppo’s order, he never visited another [good] counselor. Nevertheless, he definitely realized the power to succeed to the Master’s Dharma. After he had attained the truth at last, he taught people with the words that the whole Universe in ten directions is one bright pearl. One day a monk asks him, “I have heard the Master’s words that the whole Universe in ten directions is one bright pearl. How should the student understand [this]?” The Master says, “The whole Universe in ten directions is one bright pearl. What use is understanding?” On a later day the Master asks the question back to the monk, “The whole Universe in ten directions is one bright pearl. How do you understand [this]?” The monk says, “The whole Universe in ten directions is one bright pearl. What use is understanding?” The Master says, “I see that you are struggling to get inside a demon’s cave in a black mountain.”12
[101] The present expression “The whole Universe in ten directions is one bright pearl” originates with Gensa. The point is that the whole Universe in ten directions is not vast and great, not meager and small, not square or round, not centered or straight, not in a state of vigorous activity, and not disclosed in perfect clarity. Because it is utterly beyond living-and-dying, going-and-coming,13 it is living-and-dying, going-and-coming. And because it is like this, the past has gone from this place, and the present comes from this place. When we are pursuing the ultimate, who can see it utterly as separate moments? And who can hold it up for examination as a state of total stillness? “The whole of the ten directions” describes the ceaseless [process] of pursuing things to make them into self, and of pursuing self to make it into something. The arising of emotion and the distinctions of the intellect, which we describe as separation, are themselves [as real as] turning the head and changing the face, or developing things and throwing [oneself] into the moment. Because we pursue self to make it into something, the whole of the ten directions is in the ceaseless state. And because [the whole of the ten directions] is a fact before the moment, it sometimes overflows beyond the [our] regulating ability which is the pivot of the moment.14
“The one pearl” is not yet famous, but it is an expression of the truth. It will be famously recognized. “The one pearl” goes directly through ten thousand years: the eternal past has not ended, but the eternal present has arrived. The body exists now, and the mind exists now. Even so, [the whole Universe] is a bright pearl. It is not grass and trees there and here, it is not mountains and rivers at all points of the compass; it is a bright pearl. “How should the student understand it?” Even though it seems that the monk is playing with his conditioned intellect15 in speaking these words, they are the clear manifestation of the Great Activity, which is just the Great Standard itself. Progressing further, we should make it strikingly obvious that a foot of water is a one foot wave: in other words, a yard of the pearl is a yard of brightness. To voice this expression of the truth, Gensa says, “The whole Universe in ten directions is one bright pearl. What use is understanding?” This expression is the expression of truth to which buddha succeeds buddha, patriarch succeeds patriarch, and Gensa succeeds Gensa. If he wants to avoid this succession—while it is not true that no opportunity for avoidance exists—just when he is ardently trying to avoid it, [the moment] in which he speaks and lives is the total moment, conspicuously manifest before him.
[103] Gensa, on a subsequent day asks the monk, “The whole Universe in ten directions is one bright pearl. How do you understand [this]?” This says that yesterday [Master Gensa] was preaching the established rule, but his exhalations today rely upon the second phase: today he is preaching an exception to the established rule. Having pushed yesterday aside, he is nodding and laughing. The monk says, “The whole Universe in ten directions is one bright pearl. What use is understanding?” We might tell him: you are riding your adversary’s horse to chase your adversary. When the eternal Buddha preaches for you, he is going among alien beings.16 We should turn [back] light and reflect17 for a while: How many cases and examples of “What use is understanding?” are there? We can tentatively say that while teaching and practice are seven dairy cakes and five vegetable cakes, they are also “south of the [River] Sho” and “north of the [River] Tan.”18
[105] Gensa says, “I see that you are struggling to get inside a demon’s cave in a black mountain.” Remember, the face of the sun and the face of the moon have never changed places since the eternal past. The sun’s face appears together with the sun’s face, and the moon’s face appears together with the moon’s face. For this reason, [Master Yakusan Igen said,] “Even if I say that the sixth moon19 is a very nice time of year, I should not say that my surname is Hot.”20 Thus, this bright pearl’s possession of reality and lack of beginning are limitless, and the whole Universe in ten directions is one bright pearl. Without being discussed as two pearls or three pearls, the Whole Body21 is one right-Dharma-eye, the Whole Body is real substance, the Whole Body is one phrase, the Whole Body is brightness, and the Whole Body is the Whole Body itself. When it is the Whole Body it is free of the hindrance of the Whole Body; it is perfect roundness,22 and roundly it rolls along.23 Because the virtue of the bright pearl exists in realization like this, there are Avalokiteśvaras24 and Maitreyas25 in the present, seeing sights and hearing sounds; and there are old buddhas and new buddhas manifesting their bodies and preaching the Dharma.26
Just at the moment of the present, whether suspended in space or hanging inside a garment,27 whether kept under a [dragon’s] chin28 or kept in a top-knot,29 [the one bright pearl], in all cases, is one bright pearl throughout the whole Universe in ten directions. To hang inside a garment is its situation, so do not say that it will be dangling on the surface. To hang inside a top-knot or under a chin is its situation, so do not expect to play with it on the surface of the top-knot or on the surface of the chin. When we are intoxicated, there are close friends30 who give us a pearl; and we should always give a pearl to a close friend. When the pearl is hung upon us we are always intoxicated. That which already is like this31 is the one bright pearl which is the Universe in ten directions. So even though it seems to be continually changing the outward appearance of its turning and not turning, it is just the bright pearl. The very recognition that the pearl has been existing like this is just the bright pearl itself. The bright pearl has sounds and forms that can be heard like this. Already having got the state like this,32 those who surmise that “I cannot be the bright pearl,” should not doubt that they are the pearl. Artificial and non-artificial states of surmising and doubting, attaching and rejecting, are just the small view. They are nothing more than trying to make [the bright pearl] match the narrow intellect. How could we not love the bright pearl? Its colors and light, as they are, are endless.
[107] Each color and every ray of light at each moment and in every situation is the virtue of the whole Universe in ten directions; who would want to plunder it?33 No-one would throw a tile into a street market. Do not worry about falling or not falling34 into the six states of cause and effect.35 They are the original state of being right from head to tail, which is never unclear,34 and the bright pearl is its features and the bright pearl is its eyes. Still, neither I nor you know what the bright pearl is or what the bright pearl is not. Hundreds of thoughts and hundreds of negations of thought have combined to form a very clear idea.36 At the same time, by virtue of Gensa’s words of Dharma, we have heard, recognized, and clarified the situation of a body-and-mind which has already become the bright pearl. Thereafter, the mind is not personal; why should we be worried by attachment to whether it is a bright pearl or is not a bright pearl, as if what arises and passes were some person.37 Even surmising and worry is not different from the bright pearl. No action nor any thought has ever been caused by anything other than the bright pearl. Therefore, forward steps and backward steps in a demon’s black-mountain cave are just the one bright pearl itself.
Shobogenzo Ikka-no-myoju
Preached to the assembly at Kannon-dori-kosho-horin-ji temple in the Uji district of Yoshu38 on the 18th day of the 4th lunar month in the 4th year of Katei.39
Copied in the prior’s quarters of Kippo-ji temple in Shibi county, in the Yoshida district of Esshu,40 on the 23rd day of the intercalary 7th lunar month in the 1st year of Kangen,41 attendant bhikṣu Ejo.
Notes
娑婆世界 (SHABA-SEKAI). 娑婆 (SHABA) represents the Sanskrit sāhā-loka-dhātu, which means the world of human beings. ↩︎
Master Gensa Shibi (835–907), successor of Master Seppo Gison. When monks died they were not referred to by the name used in their lifetime. “Great Master Shu-itsu” is Master Gensa’s posthumous title. Shibi is his 法諱 (HOKI), or “Dharma [-name] to be avoided.” See also notes to chap. 16, Shisho. ↩︎
Even as a layman Master Gensa led a relaxed and peaceful life, without worrying about the results of his efforts. ↩︎
860 to 873. ↩︎
Master Seppo Gison (822–907), successor of Master Tokuzan Senkan. Great Master Shinkaku is his posthumous title. ↩︎
弁道 (BENDO) expresses the practice of zazen. ↩︎
備頭陀 (BIZUDA). 備 (BI) is from the name Shibi. 頭陀 (ZUDA) is from the Sanskrit word dhūta, which means hard practice. Master Gensa was known for his hard practice, so he got the nickname of 備頭陀 (BIZUDA). The twelve dhūta are listed in chap. 30, Gyoji. See also LS 2.310. ↩︎
The expression is ironic. Master Gensa makes it sound as if he would like to be able to learn from others, but in the end it is impossible: he can be satisfied not with second-hand knowledge, but only by experiencing things for himself. ↩︎
偏参 (HENSAN), or “thorough exploration,” is the title of chap. 62. Here it is used as a verb, 偏参する (HENSAN suru). ↩︎
Master Bodhidharma actually did come to the Eastern Lands (China), but “Master Bodhidharma did not come to the Eastern Lands” suggests that he came to China naturally, rather than out of personal intention. The Second Patriarch, Master Taiso Eka, did not go to the Western Heavens (India), and “The Second Patriarch did not go to the Western Heavens” suggests similarly that it was natural for him not to go. ↩︎
Coarse vegetable fiber. ↩︎
Shinji-shobogenzo, pt. 1, no. 15. ↩︎
生死去来 (SHOJI-KORAI), or “living-and-dying, going-and-coming,” is an expression of everyday life that appears frequently in Shobogenzo. ↩︎
機要の管得 (KIYO no KANTOKU). 機要 (KIYO) means the central part of a mechanism; at the same time, 機 (KI) suggests the moment of the present. 管得 (KANTOKU) means “being able to control.” ↩︎
業識 (GOSSHIKI), or “karmic consciousness.” The term is discussed in chap. 22, Bussho. ↩︎
異類中行 (IRUI-CHU-GYO), “going among alien beings,” is a common expression in Shobogenzo. In this case it suggests the absolute difference between the real understanding of Master Gensa and the intellectual understanding of the monk. ↩︎
囘光遍照 (E-KO-HEN-SHO) describes the state in zazen. The expression appears in Fukan-zazengi (see Appendix). ↩︎
The River Sho flows north of the River Tan, and the River Tan flows south of the River Sho. In China the area between the two rivers was used as a symbol of one thing that can be expressed in two ways. In this sentence, cakes symbolize concrete things, and “south of the River Sho” and “north of the River Tan” represent subjective views. In Buddhist teaching and practice, recognition of concrete facts and theoretical understanding are both important. ↩︎
六月 (ROKUGATSU), or “the sixth lunar month,” was an uncomfortably hot time in the South of China. ↩︎
Buddhist monks would customarily avoid giving their family name, and reply instead “It is a nice time of year.” ↩︎
全身 (ZENSHIN), “whole body,” sometimes suggests the Universe as the Buddha’s whole body. See chap. 72, Nyorai-zenshin. ↩︎
“Perfect roundness” is 円陀陀地 (EN-DA-DA-CHI), lit. “circle diagonal-diagonal state.” 円 (EN) means circular or perfect. 陀 (DA), repeated for emphasis, mean diagonal; at the same time, it suggests the absence of corners, i.e. roundness. 地 (CHI) means “state.” ↩︎
転轆轆 (TEN-ROKU-ROKU). 転 (TEN) means “to turn” or “to roll.” 轆轆 (ROKU-ROKU) is onomatopoeic for a round object rolling. ↩︎
Bodhisattva Avalokiteśvara is the subject of chap. 33, Kannon. See also Lotus Sutra chap. 25. ↩︎
The Bodhisattva Maitreya is expected to be born 5,670 million years in the future, to save all living beings who were left unsaved by the Buddha. See, for example, LS 1.62. In this sentence the Bodhisattvas Avalokiteśvara and Maitreya symbolize Buddhist practitioners today. ↩︎
Alludes to the description of Avalokiteśvara (Regarder of the Sounds of the World) in the Lotus Sutra. See LS 3.252. ↩︎
See LS 2.114. ↩︎
Black dragons keep a pearl under their chins. The black dragon’s pearl is a symbol of the truth. ↩︎
See LS 2.276. ↩︎
See LS 2.114. ↩︎
既是恁麼 (KIZE-INMO). At the beginning of chap. 29, Inmo, Master Ungo Doyo discusses 既是恁麼人 (KIZE-INMO-NIN), or “a person in the state of already being like this.” ↩︎
得恁麼 (TOKU-INMO). These characters also appear in chap. 29, Inmo. ↩︎
Master Gensa said, “It is forbidden for anyone to plunder a street market.” See Shinji-shobogenzo pt. 1, no. 38. ↩︎
不落 (FURAKU), “not falling,” and 不昧 (FUMAI), “not being unclear,” represent opposing views of cause and effect. See, for example, chap. 76, Dai-shugyo. ↩︎ ↩︎
六道の因果 (ROKUDO no INGA) are the six states through which we pass according to the law of cause and effect: the state of beings in hell, the state of hungry ghosts, the state of animals, the state of angry demons, the state of human beings, and the state of gods. ↩︎
明明の艸料 (MEI-MEI no SORYO). 想料 (SORYO) means “idea” or “thinking.” In this sentence, Master Dogen substituted 艸 (SO), “weeds” (symbolizing concrete things), for 想 (SO), “idea,” in order to allude to the traditional saying 明明百艸頭 (MEI-MEI taru HYAKU-SO-TO), “clear-clear are hundreds of weeds” (see chap. 22, Bussho). ↩︎
The original word for “some person” is たれ (tare), which means “who?” ↩︎
Corresponds to present-day Kyoto prefecture. ↩︎
Corresponds to present-day Fukui prefecture. ↩︎